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                                            <image:caption>&lt;i&gt;Manuport&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;
2025 - 2026&lt;br /&gt;
A series of sculptures and photographic works emerging&lt;br /&gt;
through dialogue with the Schelde, where Margueriedok&lt;br /&gt;
forms its living foundation.&lt;br /&gt;
©Fabien Silvestre Suzor</image:caption>
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                                            <image:caption>Collecting wild clay or slib from the Margueriedok, 2025. </image:caption>
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                                            <image:caption>&lt;i&gt;Manuport&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;
2025 - 2026&lt;br /&gt;
A series of sculptures and photographic works emerging&lt;br /&gt;
through dialogue with the Schelde, where Margueriedok&lt;br /&gt;
forms its living foundation.&lt;br /&gt;
©Fabien Silvestre Suzor</image:caption>
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                                            <image:caption>&lt;i&gt;The tone of form: Ikebana&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2025&lt;br /&gt;
&lt;span style=&quot;letter-spacing: 0em;&quot;&gt;A design with stones, metal pins and flowers, accompanied by an instructional poem.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
 &lt;/span&gt;
</image:caption>
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                                            <image:caption>Baking of the &lt;i&gt;Manuport&lt;/i&gt; works in a pitfire, 2025 &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Manuport&lt;/i&gt; is a series of sculptures and photographic works emerging through dialogue with the Schelde, where Margueriedok forms its living foundation. The series borrows an archaeological term for unworked objects, stones, shells, or pieces of wood, that early humans collected for their aesthetic, symbolic, or suggestive resemblance to familiar forms. From an affinity with this early, sensory aesthetic, the works emerge from direct experiences of the dock, learning from its behavior: tides, found objects, sounds, Nereis, flora, and slib interpreted as the language of the site. By attuning to the site&amp;#x27;s cycles, processes, and pollution, forms are created that are intimately tied to the here and now, Antwerp, and life along the river.</image:caption>
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                                            <image:caption>&lt;i&gt;Elif Özbay: Something About a Double Edged Sword&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;
01.07.2023&lt;br /&gt;
Scenography and sculptural collaboration between Elif Satanaya Özbay and Nina-Joy Thielemans.  &lt;br /&gt;
Creating sculptures and curating design objects. &lt;br /&gt;
Performed at : MORPHO&lt;br /&gt;
© Tomasz Skibicki</image:caption>
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                                            <image:caption>&lt;i&gt;The heat of the memory keeps the moment alive&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;
2019&lt;br /&gt;
Wooden construction, plaster, insulation wool.&lt;br /&gt;
Creating a space for reliving a memory. &lt;br /&gt;
210 x 100 x 93 cm&lt;br /&gt;
© Lotta Kestens</image:caption>
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                <image:image>
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                                            <image:caption>&lt;i&gt;Lamppost&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;
2018&lt;br /&gt;
Concrete Iron, Cardboard, Wallpaper, Glue, prints&lt;br /&gt;
341 x 20 x 20 cm&lt;br /&gt;
©Anneke D’Hollander</image:caption>
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                                            <image:caption>Visual research leading to &lt;i&gt;The heat of the memory keeps the moment alive.&lt;/i&gt;</image:caption>
                                    </image:image>
            
                
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                                            <image:caption>&lt;i&gt;Particals: LP Garzweiler&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;
2024 - 25&lt;br /&gt;

Sonic and visual exploration of the Garzweiler site in Germany, with Justine grillet and &lt;br /&gt;
Karina Zharmukhambetova.&lt;br /&gt;
&lt;a href=&quot;https://ultraeczema.bandcamp.com/album/garzweiler&quot;&gt;https://ultraeczema.bandcamp.com/album/garzweiler&lt;/a&gt;</image:caption>
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                                            <image:caption>Works and studies from the same period as&lt;i&gt; lamppost &lt;/i&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Elif Özbay: Something About a Double Edged Sword&lt;/i&gt;&lt;br /&gt;

&lt;br /&gt;</image:caption>
                                    </image:image>
            
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